Culture in Han Dynasty

Han Dynasty was a period of cultural flowering. The Han Dynasty establishes what was thereafter considered Chinese culture that the Mandarin Chinese word for Chinese people is Han.

The latter was not only a literate society but one of compulsive record keepers. Thus, the cultural milieu of the Han was well documented. The Yuefu, or Music Bureau, for example, compiled detailed descriptions of the music of the day and its instruments, techniques, and songs. In the court and the Confucian temples, music fell into two categories: music to accompany banquets and ritual music. In temple rituals, dance was often an important element, and something resembling a system of dance notation recorded the movements of large bands of musicians and companies of dancers in their performances. There also were highly informal dances with much body movement but little footwork that were part of private entertainment. Several forms of plucked string instruments were in use during the Han. Buddhism came to China from India during the dynasty, and with it came richly sonorous bronze bells. A form of drama appeared in which performers acted out the heroic deeds of celebrated warriors.

 

Although little except walls and tombs remains of Han architecture, much has been learned about the style from mingqi house models and paintings on tomb tiles. Imperial records describe the main palace of the Dong Han at Luoyang as being immensely proportioned, surrounded by tall towers variously of timber, stone, and brick. The tombs had vaulted roofs and were enclosed in huge earthen mounds that still stand centuries after their contents were looted. Interior walls of important buildings were plastered and painted—so the ubiquitous records relate—with figures, portraits, and scenes from history. Although the names of the artists did not survive, the highest-ranking of them—the daizhao, or painters-in-attendance—were close associates of the emperor, a tradition carried on in ensuing dynasties down to modern times. In addition to wall paintings, paintings on standing room-divider screens and on rolls or scrolls of silk appeared in the Han.

 

The first major stone tomb sculpture in China was created in the Han period, and lifelike clay figurines of people and animals also appeared. In the Xi Han, bronze work continued the style of the late Zhou period and often was inlaid with silver and gold. Bronze vessels were made both for sacrificial rituals and for household use, the latter including lamps, mirrors, and garment hooks fashioned in the form of humans, animals, and mythical beasts. The weaving of silk in rich colours and patterns of geometric designs or cloud and mountain themes became a major industry and source of export trade. Han potters included house models and human figures among their funerary wares, and two types of glazed ware were used domestically, often closely imitating the shape and design of bronze vessels.

 

The Shang dynasty discovered lacquer, but it was the Han that brought its lacquer work to such perfection that some of its lacquered wine cups in perfect condition have been excavated from water-sodden graves in North China. Many exquisite examples of Han lacquer ware survive.

 

Poetry was nurtured during the Han period, and a new genre, fu, a combination of rhyme and prose, began to flourish. Fu were long, descriptive compositions meant to entertain, and they became the norm of creative writing. About 1,000 examples survive. The prose literature of the era included works of history, philosophy, and politics. One of the greatest of early histories comes from this period in the Shiji (“Historical Records”) of Sima Qian. In sharp distinction from the Qin, who tried to suppress culture, the Han came to require cultural accomplishment from their public servants, making mastery of classical texts a condition of employment. The title list of the enormous imperial library is China’s first bibliography. Its text included works on practical matters such as mathematics and medicine, as well as treatises on philosophy and religion and the arts. Advancement in science and technology was also sought by the rulers, and the Han invented paper, used water clocks and sundials, and developed a seismograph. Calendars were published frequently during the period. The governmental, cultural, and technological achievements of the Han were such that every ensuing dynasty sought to emulate them.